a bit more

I'm about halfway down the board now. Lawrence asked if I was gonna use this for printing purposes. Umm, nope. While using relief carving for printmaking is where I first saw this technique used, it's not what I look to do with the pieces.

I enjoy the carving process the most. It's the smell of the wood, the feel of the wood, the feel of the hand tools, the movements, the texture of the finished carved piece. Usually, and what I'll be doing with this one, I then stain or paint the piece of wood - laying in color into the grooves, painting the color on the surface, then outlining the cuts in effort to make it "stand out", so to speak.

To me this makes the final piece dimensional. It's texture. I want these pieces to be touched. For you to run your fingers over them. I want it to be about the color and sight of the piece as much as about the feel. It's about the tactile impression as well as the visual.